by Joseph Rossbach

No matter where I go or what subject I am shooting, I always have my 70-200mm in my camera bag. This is quite possibly the best mid range telephoto zoom lens Nikon has ever made. The optics are razor sharp and with the fast f/2.8 working aperture I can shoot in low light situations and handle wildlife portraits with no problem.  The angle of view on a DX (crop sensor) is equivalent to 105 – 300mm focal length and of course 70-200mm on a full frame camera (35mm equivalent).

Mountain Goat Kids captured on Mount Evans, Colorado. The fast f/2.8 aperture was perfect for isolating the goats against a soft background and the silent auto focus didn’t scare them away!

Not only does the lens have superior optics, but its auto focus is quiet and precise which is priceless when capturing wildlife subjects. The front of the lens has convenient focus lock buttons which allows the photographer to lock focus on the subject. This is particularly useful for framing the subject off center or when panning for movement. The Vibration Reduction is also a great feature on this lens and allows the photographer to handhold down to 1/15 of a second without the worry of camera shake (vibration reduction will not stop action of the subject but will reduce or eliminate camera shake due to vibrations from the photographer).

Reflection on Bierstadt Lake, Rocky Mountain National Park, Colorado. After shooting sunrise at the lake, I had packed up my photo bag and was walking back to the car along the edge of the lake when I spotted these reflections. The 80-200mm was the perfect choice for zooming in a picking out the most graphic and colorful part of the scene.

Not only is the 70-200mm great for photographing wildlife, it’s also my lens of choice for picking out patterns and details in the landscape. Taking out the trash is what I call it. Too often photographers leave too much information in their shots and it is helpful to have a lens that can really pull the viewers attention to the intended subject. 

Colorado Columbine and fern, Rocky Mountain National Park, Colorado. The minimum focusing distance of 1.5 meters was close enough to capture this Colorado Columbine framed amongst the ferns in the Wild Basin area.

The minimum focus distance is 5 feet (1.5 meters) which means you can get in close to many subjects for full frame views. The lens also has three convenient knobs on its side just in front of the zoom to switch from Auto Focus to Manual focus, set the focus limit on full or infinity–2.5m for precise auto focus and a switch to turn the Vibration Reduction on and off.  The 70-200mm weights in at 51 oz. with the tripod collar and is a little lighter than its predecessor, the 80-200mm AF-S.  It’s not the lightest lens in the Nikon family, but with superior optics, fast and quiet auto focus and built in vibration reduction it’s well worth the extra weight.

Longs Peak at sunset from Trail Ridge, Rocky Mountain National Park, Colorado.  The 70-200mm was the perfect choice for this scene. I wanted to only show a small section of the tundra and really focus the viewers attention to Longs Peak and the beautiful display of color in the clouds. This lens was perfect for the job.

The 70-200mm is not only great for wildlife and patterns, but also the perfect choice for long lens landscape photography. The built in tripod collar allows you to switch from horizontal to vertical format in a cinch.  My tests conclude that the 70-200mm gives the best resolution between f8 and f f14 which makes it perfect for rendering the grand landscape in absolute tack sharp relief.  You will of course need to have the lens mounted on a sturdy tripod to make sure there is no camera shake or vibration when shooting landscape images, especially in the low light of sunrise or sunset. Also when the camera is mounted on a tripod it is essential to turn off the vibration reduction.

Detail of Glacier Creek, Glacier Gorge, Rocky Mountain National Park, Colorado.  Just focusing in on the cascades in contrast to the fallen trees was important and the 70-200mm did a great job at 180mm of picking out the details I wanted to include in the shot and nothing else.

The 70-200mm is a main stay in the camera bag and I will sacrifice my own personal comfort to have this lens with me at all times, whether I am working out of the car or hiking many miles into the back country.

 

About the Author

Joseph Rossbach specializes in creating unique images of the American Wilderness with an emphasis on the East Coast from South Carolina to Maine. You can view more of Joe's work by visiting his Gallery

Workshops

Every year Joe leads several workshops.

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