by Ian Plant
I recently had the opportunity to put my Canon 500mm f/4L IS lens through its paces while shooting white-tail deer in the Big Meadows area of Shenandoah National Park. I arrived at some subjective and objective conclusions that may help you if you are considering purchasing this lens.

The Canon 500mm lens is simply one of the sharpest optics in existence today. I consider it in many ways to be the perfect lens for shooting wildlife: it gives you great reach for distant subjects, is sufficiently light for hand holding when necessary, and with a maximum aperture of f4 you can still achieve high shutter speeds in low light. It is also relatively compact and more portable than other heavier "super telephoto" lenses, so you can easily take it to many great photo destinations.

Optically speaking, the 500mm is so sharp you can shave with it! This lens is as sharp as they get, corner to corner, even wide open (it gets even better stopped down to f5.6 or f8). Simple resolution tests alone do not do the lens justice. I once tested this lens against the superlative Sigma 300-800mm zoom, and concluded that both lenses where of roughly equal optical quality. Field results, however, tell a somewhat different story. The Canon lens has an almost 3-D quality to it that is revealed when shooting real subjects, a result of its superb contrast and color rendition. Although I think the Sigma lens is incredible (especially considering that it is a zoom lens), I believe the Canon optic is a step up. This lens also mates very well with the Canon 1.4x Teleconverter, with very little loss of optical quality (in my opinion, this combination outperforms the Sigma 300-800mm at the equivalent focal length).

There is some minor vignetting at f4 on full frame cameras, but nothing that can't be easily fixed in post processing. Backgrounds are rendered pleasingly out-of-focus by this lens when shot wide open. The auto focus is incredible: the focus does not move, it dances back and forth with great speed and accuracy. This lens also features a focus limiter, which prevents the auto focus from hunting throughout its full range, a very nice feature indeed. The image stabilization (IS) is of course top notch (Canon, after all, is the pioneer of this technology in SLR lenses), allowing hand-held shooting in low light situations.

I can't say anything bad about this lens. It is superbly constructed, weather-sealed, and it performs better than any other optic I have ever laid hands on. Price-wise, however, it is not for the faint-hearted! New, these lenses run about $5,800, but can sometimes be found used for less.

 

About the Author

Ian J. Plant is known for his evocative landscape and wildlife imagery. His sixth and most recent book is the critically acclaimed Chesapeake: Bay of Light. You can view more of Ian's work by visiting his Gallery

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Every year Ian leads several workshops.

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